Tropismes domestic
Playing masks and secrecy as of arbitrariness and dizziness picture is the beating of speech within itself that continued Moussempès Sandra in her new collection.
struggles with what she Moussempès Sandra? What erotic time and secrecy? What experiences divestiture? What will to wrest beauty from vertigo? How impossible? Remains of girl after (1997) and Screenshots (2004), the seven sequences that make up Photogenic shadows painted continue to examine the screens misleading appearance, instinct drives as binding and unbinding of every form of divergence and distortion at work in the triangle love, emptiness and language.
" A form of cast post-modern, the result of" vertigo Love " coupled with a perspective of reality and its image. A universe where everything is" matter of perception "and memory, " light body" and "small deconstructions" of projected images and effects of specularity, offset and watermark. The poems often have a heaven (in italics) and a earth (Roman), which are radiographs of the in-between (between father and daughter, man and woman, darkness and light, dream and reality of spectographs ...); the desire or the absence of precipitates feelings or scenes where " officiate at three in harmony " the ghosts of dreams, delusions and desire.
Lures and simulacra that put us both in touch and distance of a reality that consists of the singularity of moments snatched from reality, dreams, memories. Events ecstatic " related to deviance love " bursts of film noir, "illustrated evidence," evidence risky " all reports to the deprivation of each edited reality Directed ", dreams or opaque" mental matter. "A world where" fiction becomes every day more airtight "where" compatible desist princesses ", where" tasting of a fish skewered encourages all devotion, "where you can marvel at the" look "wonderful" to reproduction "and promises to spend promised, thanks to the rhinestones , the shrinking to the skin of each and even the obscure object of desire than " denial : formed into keystone .
As if reality did not cease to hide behind the illusion of reflections and illusions, representations or facticity production dreamlike images related to failures of the relationship as fantasies. As if behind these poetic crystallization point of view, these recordings of images, these conjugations of visible and invisible, smells and sounds of the language was seeking deliverance, experiencing an aesthetic of fragmentation, was forming a parallel story, playing with masks and avatars " REAL personality of the heroine."
Photogenic, which is born of light, where this beautiful song, Photogenic painted shadows, stressing that the beauty of ghost images, also suggested behind the vacillation of attendance, the weight of the occult. "What exactly poetry implodes or accepts: non-formulation of reality by its shimmering over matter." Between the imprint and trace the outside world and within its terrain, can be sensed and the circular shape of intoxicating everything in the realm of images of love still to learn.
From " only Japanese garden within sight "to" Kyoto elegies "-that is to say through this remote country and fantasy which Barthes said it is an empire where the signs are living in freedom-these are the splinters an impossible mythology of the self that gives us Moussempès Sandra. " Know that I am trying to hide something ." secrecy involved in this organic movement whose biography hear the vibration into the incongruous juxtapositions and the effects of symmetry offset that gives this collection its strange and beautiful deep thoughtful.
Richard Blin in the matriculation of Angels, November 2009
Photogenic shadows painted
Sandra Moussempès, Flammarion, 128 pages, 16 euros
See also:
Angèle Paoli An article on his website " Land of Women "
http://terresdefemmes.blogs.com/mon_weblog/2009/12/sandra-moussemp% C3% A8s-% C3% A9nie photog-of-shadows-peintes.html
A presentation of Fabrizio Thumerel site Libr-critique:
http://www.t-pas-net.com/libr-critique/?p=1502
section of Matthew Nuss:
http://www.t-pas-net.com/libr-critique/?p=2318
A proposal of Pierre Menard site Liminal
http://liminaire.fr/ spip / spip.php? article398
article by Jean-Marc Baillieu site Sitaudis:
http://www.sitaudis.fr/Parutions/photogenie-des-ombres-peintes-de-sandra- moussempes.php
article on Francesco Magris libr-critique:
http://www.t-pas-net.com/libr-critique/?p=1836
Matricule Article of the Angels:
http://www.lmda.net/din/tit_lmda.php?Id=62779
Playing masks and secrecy as of arbitrariness and dizziness picture is the beating of speech within itself that continued Moussempès Sandra in her new collection.
struggles with what she Moussempès Sandra? What erotic time and secrecy? What experiences divestiture? What will to wrest beauty from vertigo? How impossible? Remains of girl after (1997) and Screenshots (2004), the seven sequences that make up Photogenic shadows painted continue to examine the screens misleading appearance, instinct drives as binding and unbinding of every form of divergence and distortion at work in the triangle love, emptiness and language.
" A form of cast post-modern, the result of" vertigo Love " coupled with a perspective of reality and its image. A universe where everything is" matter of perception "and memory, " light body" and "small deconstructions" of projected images and effects of specularity, offset and watermark. The poems often have a heaven (in italics) and a earth (Roman), which are radiographs of the in-between (between father and daughter, man and woman, darkness and light, dream and reality of spectographs ...); the desire or the absence of precipitates feelings or scenes where " officiate at three in harmony " the ghosts of dreams, delusions and desire.
Lures and simulacra that put us both in touch and distance of a reality that consists of the singularity of moments snatched from reality, dreams, memories. Events ecstatic " related to deviance love " bursts of film noir, "illustrated evidence," evidence risky " all reports to the deprivation of each edited reality Directed ", dreams or opaque" mental matter. "A world where" fiction becomes every day more airtight "where" compatible desist princesses ", where" tasting of a fish skewered encourages all devotion, "where you can marvel at the" look "wonderful" to reproduction "and promises to spend promised, thanks to the rhinestones , the shrinking to the skin of each and even the obscure object of desire than " denial : formed into keystone .
As if reality did not cease to hide behind the illusion of reflections and illusions, representations or facticity production dreamlike images related to failures of the relationship as fantasies. As if behind these poetic crystallization point of view, these recordings of images, these conjugations of visible and invisible, smells and sounds of the language was seeking deliverance, experiencing an aesthetic of fragmentation, was forming a parallel story, playing with masks and avatars " REAL personality of the heroine."
Photogenic, which is born of light, where this beautiful song, Photogenic painted shadows, stressing that the beauty of ghost images, also suggested behind the vacillation of attendance, the weight of the occult. "What exactly poetry implodes or accepts: non-formulation of reality by its shimmering over matter." Between the imprint and trace the outside world and within its terrain, can be sensed and the circular shape of intoxicating everything in the realm of images of love still to learn.
From " only Japanese garden within sight "to" Kyoto elegies "-that is to say through this remote country and fantasy which Barthes said it is an empire where the signs are living in freedom-these are the splinters an impossible mythology of the self that gives us Moussempès Sandra. " Know that I am trying to hide something ." secrecy involved in this organic movement whose biography hear the vibration into the incongruous juxtapositions and the effects of symmetry offset that gives this collection its strange and beautiful deep thoughtful.
Richard Blin in the matriculation of Angels, November 2009
Photogenic shadows painted
Sandra Moussempès, Flammarion, 128 pages, 16 euros
See also:
Angèle Paoli An article on his website " Land of Women "
http://terresdefemmes.blogs.com/mon_weblog/2009/12/sandra-moussemp% C3% A8s-% C3% A9nie photog-of-shadows-peintes.html
A presentation of Fabrizio Thumerel site Libr-critique:
http://www.t-pas-net.com/libr-critique/?p=1502
section of Matthew Nuss:
http://www.t-pas-net.com/libr-critique/?p=2318
A proposal of Pierre Menard site Liminal
http://liminaire.fr/ spip / spip.php? article398
article by Jean-Marc Baillieu site Sitaudis:
http://www.sitaudis.fr/Parutions/photogenie-des-ombres-peintes-de-sandra- moussempes.php
article on Francesco Magris libr-critique:
http://www.t-pas-net.com/libr-critique/?p=1836
Matricule Article of the Angels:
http://www.lmda.net/din/tit_lmda.php?Id=62779
